A biography for Sasha Velourhasn’t been written yet.
“I discovered that my drag really does speak to people on an emotional level. I also discovered that people are sometimes put off by an intellectual approach to drag.”
“The truth is, a lot of people go to drag shows, really, for very light entertainment, and I think sometimes maybe we don't even give the audiences enough credit as to what they'd be down for.”
“The loss of my mom really inspired me to go to a place with my performances that were emotionally honest, and I found that audiences really responded to that. People need to see heartbreak transformed into beauty.”
“For a while, my favorite movie was 'Vertigo.' Everything in that movie was captivating to me.”
“Conservatism is all about surfaces and labels and presentation, and drag says no, we refuse to follow any rules about that.”
“People started bringing their own personal work to 'Nightgowns,' and that's really when it started to become a really distinctive show.”
“The cities that I go to where I can tell that they have a lot of different types of drag, I tell them that they remind me of Brooklyn, and I mean that as the highest compliment in the entire world.”
“Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.”
“Pride, to me, is a celebration of the past because we have come such a long way from the very first Pride parade marking the anniversary of the Stonewall riots, so it's a celebration of all that we've accomplished.”
“I think sometimes you have to imagine a fantasy world in which we are represented and visible the way we should be.”
“We need to talk about representation for queer people in the media and also in law. And there's a long history of drag queens leading those discussions in marches on the street and even in bars going back to the time of Stonewall and before.”
“When I was in high school, I used to beg my teachers to let me create films and plays instead of writing essays. I think they were at least happy I was excited about school.”
“People are really seeing that drag is an art form, that it's so much more than self-expression.”
“I have an art magazine about drag called 'Velour,' named after myself, and I have a monthly show called 'Nightgowns' that curates and presents some of the most creative and high-quality drag in a professional theater setting.”
“There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.”
“Absolutely anyone can and must do drag.”
“Drag performance is really emotional.”
“I went to Vassar College for undergraduate and studied literature and queer theory, and all of the above. And then I took a Fulbright scholarship in Russia.”
“I want to do performance that inspires people to be true to themselves and has tangible impact on the community. Not just because I want to be a role model - I just think it's the best way to honor the tradition of drag.”
“I really believe in the power of playing by your own rules.”