Riz Ahmed

“The 'Bourne' films totally reimagined and elevated the action genre.”

“It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.”

“Maybe I don't ever fully switch off, but I think the way I offset that is by splitting my time between film and music. I always want to challenge myself and grow, fail, self-flagellate, and then try again.”

“I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.”

“Bandwagons roll through our lives. It's up to you whether you jump on them unquestioningly or jump on them to overturn them and subvert them.”

“I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.”

“The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.”

“It's interesting - what are you willing to give up in terms of your privacy for access to other people? For access to things you think you desperately need. Ultimately, it's that old saying, isn't it? If the service is free, then the product is you. The thing being sold is you. There's a product for sale in you and your data.”

“I go to a lot of stand-up comedy. I find more inspiration from observational stuff than from rap.”

“Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.”

“No-one gets a job at 16 and stays in it until 60 any more; we're connected to more people simultaneously than ever before, whether online or on our phones. We wear so many different hats within one day, one week, a lifetime.”

“The fact is, I've been releasing records longer than I've been releasing films, or at least exactly as long.”

“Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.”

“I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.”