Phillippa Yaa de Villiers

“"As a mixed-race African and adoptee I feel, paradoxically, oppressed and completely free....My adult life has been largely devoted to healing this rift. The freedom of my paradoxical position, is in fact that I don't have the constraints of a traditional role and I have access to the world."”

“"I felt like the colonised and the coloniser were fighting each other inside my brain. Writing continued to be important to me but I was convinced that it was simply a therapeutic process, of no value to anyone else."”

“"Writing contains the writer, their concerns, their social context and their history. My own history became a block to my creativity as I started to explore my identity as a black woman adopted by a white family in apartheid South Africa."”

“"I started writing poetry when I was a child, my first published poem was when I was 11. I was brought up in a home that loved poetry and literature, especially the English language. But it was only when I was older that I realised that writing is so much more than words playing on a page.”

“"Because I wasn't told that I was adopted until I was twenty, I lacked a vocabulary to describe who I am and where I come from, so performing and writing became ways to make myself up."”

“"After growing up black in white South Africa, internalising so many negative 'truths' of what black people are like, I needed to reclaim my humanity and myself from the toxic dance of objectification."”

“"I became Phillippa Yaa when I found my biological father, who told me that if he had been there when I was born, the first name I'd have been given would be a day name like all Ghanaian babies, and all Thursday girls are Yaa, Yawo, or Yaya. So by changing my name I intended to inscribe a feeling of belonging and also one of pride on my African side."”