A biography for Michael Graveshasn’t been written yet.
“We always correct people who say, 'You're trying to make this look better.' Well yes, we want it to look better, but that's easy. The look and the function are one and the same. They are not separate. It looks good because it functions beautifully. That message is very hard.”
“I used a kind of gray-green early on in my practice for painting steel, to make it look more like it had a kind of patina to it, like copper and bronze and so on. The color I used was a Benjamin Moore color called 2012. My then-young daughter started calling me 2012 - it was my nickname.”
“Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.”
“Someone once told me they didn't like taking the lid off the kettle because they'd just lose it in the kitchen, so we made a kettle with an attached lid that you slide. It was in response to that that we made one that did something different.”
“I have no requirements for a style of architecture.”
“Good design should be available to everyone - and I do mean everyone. What I spent on the wheelchair I'm in could buy a small Mercedes. It's not only unfair to me; it's unfair to someone who's indigent but has the same needs. My goal is to make all objects affordable.”
“As a child, I was obsessed with drawing things, like Mickey and Donald. And houses. My mother was worried I'd become an artist.”
“We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.”
“The cost is minimal, but one of the things that you want in a universal design is to make the plan as open as you can... and to still have walls around bedrooms and that sort of thing, and to keep the corridors wide enough so the wheelchair can do a 360 in the corridor.”
“Form must never trump function. Some objects are made to look so smooth, you don't know where to pick them up or how to turn them on. If I'm designing a garlic press or cheese grater, I need my hand to fit comfortably on it. I like to know, instinctively, how to use it.”
“The oldest book I have is a treatise on architecture from the 17th century.”
“In designing hardware to be used every day, it was important to keep both the human aspects and the machine in mind. What looks good also often feels good.”
“I taught at Princeton for 39 years, and the school of architecture on the campus is the worst building on the campus.”
“I had been designing for Alessi and Swid Powell and Steuben and high-end people, and people always complained, 'Michael, we'd love to buy your stuff, but it's too expensive.'”
“When you do what I do, there are a lot of institutions that give you awards. I've gotten maybe 20 medals. They're glorious, and there's a spirit behind them. But sometimes they give you this dreadful modern glass thing. I wish everyone could afford a loving cup.”
“If I have a style, I am not aware of it.”