Mason West

“Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.”

“Mexico, as it was in the 1970s—and isn’t now—was my Paris. With Mexicans, Europeans, and Americans I celebrated life and the journey, which took on qualities of a pilgrimage in which every moment was a movable feast and every place was a shrine. Among the intricately carved ruins in the jungle at Palenque, I partook of the Mayan sacrament, the sacred psilocybin mushroom, and there I learned to see.”