Mark Slouka

“The case for the humanities is not hard to make, though it can be difficult--to such an extent have we been marginalized, so long have we acceded to that marginalization--not to sound either defensive or naive. The humanities, done right, are the crucible in which our evolving notions of what it means to be fully human are put to the test; they teach us, incrementally, endlessly, not what to do, but how to be. Their method is confrontational, their domain unlimited, their "product" not truth but the reasoned search for truth, their "success" something very much like Frost's momentary stay against confusion.”

“I suspect that on some level, life is a matter of indefensible loyalties.”

“Generally speaking, writers who have been at it for a while, and who are any good at it, suffer from an acute kind of self-knowledge. The unexamined life is not a risk for them.”

“...like a small stone deflected off a larger one, my brother had spun off toward the Almighty, though to my mind the events of that morning could just as well have cast him the other way.”

“I was raised to be ashamed of my ignorance, and to try to do something about it if at all possible.”

“It’s a race between your foolishness and your allotted days. Good luck.”

“The only thing your life teaches you is how to live your life. And that’s only if you’re very lucky. And you listen very hard.”

“I distrust the perpetually busy, always have. The frenetic ones spinning in tight little circles like poisoned rats. The slower ones, grinding away their fourscore and ten in righteousness and pain. They are the soul-eaters.”

“There are times in every life when the past acquires a particular resonance, when we grow sensitive to sounds and voices normally beyond the range of hearing. The past shades into present always and everywhere, but only rarely do we acknowledge the process; only rarely does some trigger force us to recognize ourselves as citizens of that frontier.”

“Pleasure and pain are immediate; knowledge, retrospective. A steel ball, suspended on a string, smacks into its brothers and nothing happens: no shock of recognition, no sudden epiphany. We go about our business, buttering the toast, choosing gray socks over brown. But here's the thing: just because we haven't understood something doesn't mean we haven't been shaped by it.”

“Gone. The saddest word in the language. In any language.”

“I lost my father this past year, and the word feels right because I keep looking for him. As if he were misplaced. As if he could just turn up, like a sock or a set of keys.”

“Every step you take, a million doors open in front of you like poppies; your next step closes them, and another million bloom. You get on a train, you pick up a lamp, you speak, you don’t. What decides why one thing gets picked to be the way it will be? Accident? Fate? Some weakness in ourselves? Forget your harps, your tin-foil angels—the only heaven worth having would be the heaven of answers.”

“Life isn't simple. Literature shouldn't be either.”

“We're angry about this, upset about that, but who has the time to do anything anymore? There are those reports to report on, memos to remember, e-mails to deflect or delete. They bury us like snow.”