A biography for Mark Knopflerhasn’t been written yet.
“The 'music industry' is not a term I use. I tend to concentrate on music, and the music business is something different.”
“The music just tends to be a vehicle for that poetry.”
“For me, songwriting is really where it's at. I turn to use the guitar just to help me write the songs. That's it. As a result, my guitar playing suffers pretty horribly.”
“My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.”
“I don't like definitions, but if there is a definition of freedom, it would be when you have control over your reality to transform it, to change it, rather than having it imposed upon you. You can't really ask for more than.”
“This empty kitchen's whereI'd while away the hoursJust next to my old chairYou'd usually have some flowersThe shelves of booksEven the picture hooksEverything is goneBut my heart is hanging onIf this old neighborhoodSurvived us both alrightDon't know that it withstoodAll the things that took our lightYou on the stairI can see you thereEverything is goneBut my heart is hanging onOnce there was a little girlUsed to wonder what she would beWent out into the big wide worldNow she's just a memoryThere used to be a little school hereWhere I learned to write my nameBut time has been a little cruel hereTime has no shameIt's just a place whereWe used to liveIt's just a place whereWe used to liveNow in another townYou lead another lifeAnd now upstairs and downYou're someone else's wifeHere in the dustThere's not a trace of usEverything is goneBut my heart is hanging onIt's just a place whereWe used to liveIt's just a place whereWe used to live.”
“If you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning. Do something to shake it up.”
“Instead of receding, the past actually becomes more important. That's what will happen to you. It sounds unlikely, but the past actually changes complexion as you get older.”
“I don't know whether your heart ever necessarily changes, but time changes the way that you perceive the world. And you just hope it gives you more empathy and all those other things.”
“After a while, though, the group just wasn't a good vehicle for the songs I'd written.”
“I still enjoy playing some of those early Straits songs, and I'm proud of what we did, and certainly we had some great times. It's what we all wanted when we were kids. But you've got to have the resilience to ride that thing, to pick up that ball and run with it. Because you will keep picking it up and keep running.”
“I did learn eventually - perhaps far too late - to respect the talent I have. For a lot of years out there, I was just bashing on to the next thing and not really thinking about it too much. That's what we do. But I'm learning to appreciate the moment.”
“I had a lot of jobs before I got into music. When I was 15, I was a copy boy for the 'Evening Chronicle' in Newcastle. Then I was a journalist. I value those experiences - I got to see how the world works.”
“Whenever a political regime or religious establishment refuses to tolerate criticism, it advertises itself as repressive, backward, and insecure.”
“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.”
“While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.”
“I canceled the Russian shows because, from the days of the first Dire Straits album, I've supported Amnesty International. It's not a good thing to read about people being jailed for no reason, so I raised my hand and made a small objection. It was good to do - but where do you stop?”
“I like to buy records for people, make a present of the music.”
“Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.”
“While listening, to things like western swing, for instance, I'd work something out in my head, then play it on my National; not the same song, but one that captured the feeling of the original tune.”