Marisha Pessl

“His characters are ravaged, beaten. They walk through infernos and emerge charred doves.”

“Well, it doesn't look good. Makes me look like one of those unloved latchkey children they make after-school specials about.""Don't sell yourself short. You're more Masterpiece Theatre.”

“A deus ex machina will never appear in real life so you best make other arrangements.”

“I think every writer has a book that haunts them, and on some level, every book you write is a reaction to it. 'Lolita' is that book for me. Nabokov's love of wordplay, descriptive detail, artfully complex plots, and his themes of obsession and lost love, are inspiring.”

“As much as some people would like to believe, for their own peace of mind, that the appearance of evil in this world had a clean cause, the truth was never that simple.”

“And that fear I'd felt, the disembodying confusion, seemed to be a drug I was now addicted to, because moving through the ordinary world- watching CNN, reading the Times, walking to Sant Ambroeus to have a coffee at the bar- made me feel exhausted, even depressed. Perhaps I was suffering from the same problem as the man who'd sailed around the world and now on land, facing his farmhouse, his wife and kids, understood that the constancy of home stretching out before him like a dry flat field was infinitely more terrifying than any violent squall with thirty-foot swells.”

“I remembered what Dad said once, that some people have all of life's answers worked out the day they're born and there's no use trying to teach them anything new. 'They're closed for business even though, somewhat confusingly, their doors open at eleven, Monday through Friday,' Dad said. And the trying to change what they think, the attempt to explain, the hope they'll come to see your side of things, it was exhausting, because it never made a dent and afterward you only ached unbearably.”

“There it is,” he’d say reverentially. “The box represents the mysterious threshold between reality and make-believe. [..] Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you. And if it were opened, would anything be set free? No. For the impenetrable prison with the impossible lock is your own head.”

“If I scribbled a few words on a cocktail napkin and showed it to my family, they'd proclaim it astonishing and more culturally relevant than the Bible.”

“If I learned anything about her it was that she lived with a vehemence most of us never have the courage for." Banks tells me. "But there was something about her that precluded an ordinary existence. In some ways, I'm not surprised she's dead. A job, husband, kids, a beach house? That wasn't her. I can't explain why, except she was more like a force that whipped through life, defying logic, scaring you, even hurting you because she was everything you wanted to be, but you knew you'd never have the guts - and then she was gone. That was my experience with Ashley Cordova.”

“It was true. After our divorce, I'd ended up in a slight relationship with my last research assistant, Aurelia Feinstein, age 34-though let me state for the record it was not as hot as it sounded. Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure little red entry on Hungarian poetry. It was dead silent, no one gave me any dierection, and nothing was where it was supposed to be.”

“I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.”

“The store was empty, without a single customer or employee. It appeared in the Internet age, pianos, like physical books, were fast becoming culturally extinct. They’d probably stay that way unless Apple invented the iPiano, which fit inside your pocket and could be mastered via text message. With the iPiano, anyone can be an iMozart. Then, you could compose your own iRequiem for your own iFuneral attended by millions of your iFriends who iLoved you.”

“Well, life isn't a cakewalk, is it?! Eighty-nine percent of the world's most valuable art was created by men living in rat-infested flats. You think Velásquez wore Adidas? You think he enjoyed the luxuries of central heating and twenty-four-hour pizza delivery?!”

“Occasionally when I'm procrastinating writing, I'll while away the hours on iTunes. You can just keep going forever and find these bands you'd never normally hear of.”

“I couldn't help but suspect something he'd seen or encountered had changed his view of what had happened between them. It had somehow set him free. And he'd let it fly, that gorgeous blackbird of a love he'd been keeping in a cage. What was it like for him, every day standing outside in the wind and rain to stare at the ocean, yearning for some sign of her, never giving up hope? At The Peak perhaps she'd finally come into view, a ship coming neither toward him nor away, only riding that perfect line between heaven and earth, long enough for him to know that she had loved him, that what they had was real, before slipping out of sight, probably forever.”

“When it was daylight, we'd been sitting on a stoop watching the street get light. She mentioned the light took eight minutes to leave the sun and reach us. You couldn't help but love that light traveling so far through the loneliest of spaces to get here, to come so far. It was like we were the only two people in the world.”

“I’m not afraid of total failure. In the end, we’re all just food for worms, so what are we so worried about?”

“Within every elaborate lie, a kernel of truth.”

“Certainly one of the surprising truths of having a book published is realizing that your book is as open to interpretation as an abstract painting. People bring their own beliefs and attitudes to your work, which is thrilling and surprising at the same time.”