Marianne K. Martin

“As I said, my next project is a prequel to Under the Witness Tree. I fell in love with Nessie Tinker. Nessie was a 90+ year old black supporting character who challenged me to know more about her and where she came from. I wanted to know what her life would have been like growing up in Georgia in the 1900’s. What were her dreams and hopes, her disappointments? And, what of love, between two young women, one black and one white? This next book is the result of that curiosity and search.”

“I have a couple of things niggling my mind. One, partly fueled by the importance of the women’s vote in the recent election, is to explore the history of our fight for the vote. Another is the problem of animal neglect and overwhelmed animal shelters. Of course, these issues will have to explored by characters in a storyline that balances love, hope, and social consciousness. I just can’t seem to help it.”

“What is unfortunate is that our community is still embattled, facing ongoing challenges to our rights and security. I would think that as long as those exist, there will be a need and opportunity for me to write stories of how those struggles effect our lives.”

“My next book will be a prequel to Under the Witness Tree. I never say never, but I don’t foresee featuring these three characters again.”

“I believe there are a number of similarities, common struggles to change social attitude. But, unlike the racial struggle, the LGBT community, for the most part, has had the option of the closet – to stay hidden, to live the lie. And, I think in the long run, that has lengthened our struggle. Without that option, we would have had to fight harder and sooner.”

“That balance has been a real struggle for me. And, balance truly is the key, I believe. It’s a fluid thing, something that changes as our lives change. There were times when I could expend time and energy on marches and rallies and petitions, and there were times when I needed to secure my personal place in the world. The truth, I’ve realized, is that it takes a community, recognizing its fluidity and maintaining its focus. It takes leaders. It takes everyone doing what they can. For me, for now, it means writing stories of palatable consciousness.”

“That’s the dilemma the group of friends in The Indelible Heart had to face. And, as in our larger society, their opinions ran the gamut from indifference to merciful release to let him rot in hell. As I wrote, I found myself weighing and evaluating my own belief. As it turns out, I find myself leaning closer to Sharon’s ‘let him rot’ opinion, with a gentle nudge to force justice to take the hand of forgiveness.”

“As have so many LGBT people, I formed a family of choice throughout the years – people who accepted and nurtured and loved me for who I am. During the writing of The Indelible Heart, I lost three of those people. There wasn’t enough time for me to recover from the grief of one loss before I was faced with another. The once solid ground beneath me was gone. And, at the same time that I was trying to get through my own grief, I was having to take Sharon back to hers. It has made this the most difficult book for me to write.”

“Within the circle of friends, Kasey and Connie have the most stable relationship. My hope is to leave the reader with the sense that this couple has the tools to work through the challenges that long term relationships face.”

“One of the reoccurring challenges I incur is that my stories don’t fit neatly into one category – there is too much social commentary for the romance genre and too much romance for general fiction. It makes marketing a challenge, as well as award nominations.”

“The hate crimes described in Love in the Balance are based on the hate crime murders of Susan Pittmann and Christine Puckett, committed in Huron Township in Michigan. I was honored to have their daughter, Cynthia Pittmann, write the poignant Foreword for the sequel, The Indelible Heart.”

“The character created most closely from my personal experiences is Jean Carson, the teacher in Mirrors. Her struggles were mine, her hopes and fears were mine. She struggled to protect her job, while trying to help a bullied student. I kept my job, but lost a student to suicide.”

“My biggest writing challenge is embracing the freedom that I have now from page and word restrictions. My first few books were published by Naiad Press, and were subject to restrictions. I learned to make every word count, minimalize description, and move quickly from scene to scene, all of which improved my craft. But, now I can expand the scope of my story lines without fear of drastic cuts.”

“Most surprising, I think, was the depth of my sense of injustice. At times it bordered on anger, and it was such a cleansing, therapeutic experience to be able to express and explore that through my characters.”

“I have written 9 books. Each has something that makes it special to me. The first, Legacy of Love, for the obvious reason. Love in the Balance has an emotional connection to my mother, and to a hate crime that was committed near where I live. Mirrors emerged from my teaching experiences, and losing a student on my watch. Losses in my personal life, and an unexpected connection with the daughter of the hate crimes victims, made The Indelible Heart a difficult and unforgettable effort.”

“I have a great amount of respect and admiration for a number of authors. It’s difficult to single out one as a favorite. Each offers me something special, unique to their style and presentation. Alice Walker offers introspection and a raw, yet palatable honesty. Harper Lee gave us an unrivaled one-time shot to the gut challenge to our humanity. Sarah Waters masterfully weaves her fictitious characters through places and time in history. And, I have yet to find an author whose craft is more impeccable, or plotting more effective, than Val McDermid.”

“For me, a story must be relatable and believable. As a writer, I want to immerse the reader in the lives of my characters, in hopes and dreams that may be lofty but reachable, and in struggles that are realistic and frustrating, and even frightening. If I can do that, the reader will be able to live the story with my characters.”

“Without the test of heat, no metal proves its strength; without the test of life, no love can prove its worth. Rare is the love that survives the tests of the life she knew, but the pain from loves that failed those tests could fill more than one lifetime.””