Madhur Bhandarkar

“I have no regret about making 'Heroine'; rather, I am happy I made it. I never shun my films; I stick to it.”

“I like reading a lot. Jeffrey Archer and Robert Ludlum are my favourite authors. I love making realistic cinema, so I read non-fiction more.”

“I am a very spiritual person and love travelling to religious places. I go to the Golden Temple, Tirupati Balaji and Vaishno Devi every year.”

“Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.”

“I pick my actors primarily based on my gut-feel. They could be rank newcomers or established stars, but if I feel they'll do justice to my characters, they are on. I think Bollywood is now looking towards Kollywood for new faces, and, to my mind, Suriya will be a very successful crossover star because he's very versatile.”

“In my downtime, you'll mostly find me curled up with a book. I love reading biographies. My favourites are those of Dalai Lama, Osama Bin Laden, and Einstein.”

“My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.”

“I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.”

“Whenever I come to Delhi, I forget about eating right and watching my weight.”

“I think 'Heroine' was Kareena Kapoor's best ever role of her career.”

“I'm not into replicating old movies. But one should never say never. Tomorrow I may feel like making a part 2 of some of my movies.”

“I don't want to make 'Chandni Bar 2.' I didn't think 'Fashion 2' will happen. If a film ends on a high note... makes the audience think and lingers in the end... that is needed.”

“My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.”

“While Hollywood has had a huge influence on the Indian industry, Bollywood and its actors, too, are garnering a lot of attention in the western film world.”

“Films are meant solely to provide entertainment. There are no lessons to be learnt and and inferences to be drawn. Has anyone become dutiful and law abiding after seeing a film that espouses these very virtues? Films can do no more than influence fashion, decor, and hairstyle trends.”

“My inherent belief is that motherhood is pious, and I am humbled by it.”

“I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.”

“I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.”

“I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.”

“After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.”