LaTanya Richardson

“I never played an ingenue.”

“I have always been involved in some philanthropic work - growing up in the church, you always had to have a reasonable portion of service to the community and to people who have less, who need a helping hand. It's just something in my heart that I know needs to be done.”

“I did theater at Spelman until I graduated from there, and I got to work with such luminous actresses as Diana Sands in 'Macbeth.'”

“I didn't want my daughter brought up by nannies, and I didn't want her to feel I wasn't around.”

“Folks are always talking about 40 acres and a mule, but what we need is some psychoanalysis. Forget 40 acres in a mule: sign all of us up for some shrinks so we can get ourselves right by reflecting and truly learning ourselves.”

“It used to just be a SAG card, and then you got an AFTRA card. I got my AFTRA card doing a commercial in Atlanta. I got my SAG card doing a beer commercial from 100 years ago; it was one of the first national commercials with a family in it that was black and normal, and I played the daughter.”

“If you can make it in theater, you can make it anywhere.”

“Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.”

“I came to New York in 1974, when I graduated from college. And you had to use 'Backstage' because all of the auditions were listed there. Most people didn't come with agents, so you got to see a lot of what was auditioning and when and where. 'Backstage' made sure you knew the major places.”