Kazuo Ishiguro

“Maybe from as early as when you're five or six, there's been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you'll get to know how it feels.” So you're waiting, even if you don't quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you – of how you were brought into this world and why – and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange.”

“I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.”

“That's most interesting. But I was no more a mind-reader then than today. Iwas weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. Morescientific, efficient, yes. More cures for the old sicknesses. Very good. But aharsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could notremain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.”

“when we were eleven, say, we really weren't interested in each other's poems at all. . . . But we didn't know a thing about poetry. We didn't care about it.”

“We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.”

“There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?”

“I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.”

“I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.”

“All children have to be deceived if they are to grow up without trauma.”

“If you look at my last songs and first short stories, there is a real connection between them.”

“I've always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.”

“I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.”

“People were incredibly kind to our family and went out of their way to help.”

“I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.”

“But what is the sense in forever speculating what might have happened had such and such a moment turned out differently? One could presumably drive oneself to distraction in this way. In any case, while it is all very well to talk of 'turning points', one can surely only recognize such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.”

“As I’ve said, it wasn’t until a long time afterwards—long after I’d left the Cottages—that I realized just how significant out little encounter in the churchyard had been. I was upset at the time, yes. But I didn’t believe it to be anything so different from other tiffs we’d had. It never occurred to me that our lives, until then so closely interwoven could unravel and separate over a thing like that.But the fact was, I suppose, there were powerful tides tugging us apart by then, and it only needed something like that to finish the task. If we’d understood that back then—who knows?—maybe we’d have kept a tighter hold of one another.”

“Memory is quite central for me. Part of it is that I like the actual texture of writing through memory. I like the atmospheres that result if episodes are narrated through the haze of memory.”