Katherine Addison

“After a time, he felt a deeper rhythm, the rhythm of the stone and water, not the rhythm of his words and heartbeat. He breathed into this deeper rhythm, let it teach him a new mantra, a wordless mantra that waxed and waned, ebbed and flowed, moon and stars and clouds, river and sun, the wordless singing of the earth beneath it all like the world's own heartbeat. He laid his palms flat on the stone beneath him and listened in quiet rapture to the mantra of the world's praying.”

“Ulis, he prayed, abandoning the set words, let my anger die with him. Let both of us be freed from the burden of his actions. Even if I cannot forgive him, help me not to hate him. Ulis was a cold god, a god of night and shadows and dust. His love was found in emptiness, his kindness in silence. And that was what Maia needed. Silence, coldness, kindness. He focused his thoughts carefully on the familiar iconography, the image of Ulis’s open hands; the god of letting go was surely the god who would listen to an unwilling emperor. Help me not to feel hatred, he prayed, and after a while it became easier to ask that Dazhis find peace, that Maia’s anger not be added to the weight against his soul.”

“'Nothing can make death easier,' Cala said, 'but silence can make it harder.' 'Speaking helps not,' Maia said.”

“'In our inmost and secret heart, which you ask us to bare to you, we wish to banish them as we were banished, to a cold and lonely house, in the charge of a man who hated us. And we wish them trapped there as we were trapped.' 'You consider that unjust, Serenity?' 'We consider it cruel,' Maia said. 'And we do not think that cruelty is ever just.'”