Jon Batiste

“Music is a tool that brings people together.”

“Claude Debussy's 'Children's Corner' is a suite with six movements just for piano. Arturo Benedetti Michelangeli and Alfred Cartot's versions are amazing, but my favorite is Menininha Lobo's. Her version was done when she was an old lady - and you can hear it.”

“I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.”

“We are in a technological age, and 'Social Music' aims to reflect that spirit of advancement, collaboration and connectivity while still remaining 'human.' And Stay Human, then, is a reminder of what connects us all. It's our mantra.”

“As far as music, Louis Armstrong is one of my heroes.”

“I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.”

“I'm always about trying to fill a need with what I do in my artistry. There is definitely a need in the performing arts world for a movement to come along that seriously connects with a next generation audience while still maintaining the timeless artistic objectives present throughout the history of the American music tradition.”

“Imagine if you grew up in a place where your lineage was there for a hundred years, and part of the culture was to play music 50 percent of the time. You'd probably have a lot of musicians in your family too.”

“Jazz has a tradition that has enriched the culture in America. The intellectualism of it does nothing but make you think on a higher level and make you a better person if you engage in the music and let it do what it does when it is played at its highest level.”

“The Batiste family is a large musical family in Louisiana, out in New Orleans. People go to New Orleans, and if they go to any club, four days out of the week I guarantee you that you will find a Batiste playing in the ensemble.”

“There were so many people after that first 'Colbert Report' interview that were impressed by the synergy we had during the interview. People everywhere we'd go would say, 'You should be the bandleader; it would be great for jazz. It would be great for the music.' But I was completely against it.”

“In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.”

“In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.”

“Earliest musical memory is probably being scared stiff with my family's band as a youngster on stage playing the conga drums.”

“With so many ways to communicate at our disposal, we must not forget the transformative power of a live music experience and genuine human exchange.”

“I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.”

“In such a globally connected world, musicians now have the unique opportunity to express all of the cultural 'mash ups' we are experiencing these days. Akin to the blend of cultures that occurred in early 20th-century New Orleans that led to the birth of jazz, I believe that the world has reached a similar cultural turning point.”