Joe Meno

“Most novels put out by small or corporate presses don't really sell that well - usually a thousand copies or so. Working with a small press, you have to be willing to book reading tours, plan events, make contacts with other small press authors, and find new ways of getting word about your new work out there.”

“The city glitters past us with its sharp edges, reminding us of how tiny, how weak, how totally unimportant we are.”

“She puts away four small plastic cups of red wine and then stares at a painting of a topless girl with a large silver sword for a half hour and then she begins to think: You call this art? This isn’t art! This is a joke! All of you are a joke! Fuck you and fuck Jeff Koons and the rest of those ‘80s art-star wannabes. Where’s the art that makes people weep? Where’s the art that makes people want to go to church? None of this is the least bit interesting. All of this stuff, all of this is so self-aware. It’s for ironic art snobs. I want something brilliant. I want something stunning. I want something that makes me look in wonder…”

“Attention, God the Judge, God the Father, who Art in Heaven, give me one miracle, please. If You exist as I know You do, even if no one else in the world believes in You, please give me a brain tumor. Please tear my limbs from their sockets and let the backseat and my older sister be totally covered with blood. Please make me dumb and blind and deaf, please make me a martyr, please, dear heavenly Father. Tear my heart right from my chest. Drive spikes into my eyes and let hot lava shoot out of my mouth. Make me silent and thoroughly dead, but please hurry. Before we get home, before we reach the next stoplight, let the only sound be no sound, the silence of my death burning in the empty sky. If You are a mighty and true God, if You are not just a dream I have made up, please, before another hour, another minute passes, let the wire in my bra poke through my heart. Dear Lord, please, please, give me this one miracle. I have begged You every day, every evening, so please, let Your will be done, let Your will be done. Give me a gruesome death as fast as You possibly can. Thank you, God. Amen.”

“I was just going to stand here and watch it happen. I wasn’t going to say a fucking thing. Why? Because what did it matter? What did any of it matter?”

“I tell my students that with a 200-page novel, you are going to write 100 pages that don't make the final cut. See it as an opportunity, although it took me a while to enjoy that 'lost in the woods' feeling.”

“Whether you work with a small or corporate press, the important thing is to have realistic expectations in terms of sales, promotion, and the work you have to do as an author promoting your novel.”

“I felt really lucky that 'Hairstyles Of The Damned' and 'The Boy Detective Fails' were both bestsellers, and I thought that donating the money from 'Demons' was a good way to respond to that. My favorite artists are the ones that are willing to experiment, even if it means a smaller audience.”

“After school the very next day, El Rey's mobile home was gone. I laid in bed and wondered what happens to people when they go, if they become like shadows, if they fade away when they disappear from your life. The only thing I could see was the broken picket fence. The only sound I could hear was the cry of birds being killed in the night.”

“What makes my work my own is where I'm writing from. And I feel like I have a million stories to write about Chicago.”

“...and realizes how there are all these moments, moments like just this one, there are all these moments, and how everyone lives their lives in these short, all-too-short moments. There are all these moments and what's so interesting, what makes them beautiful, is the fact that none of them last.”

“When you're reading, like, a character's thoughts, or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me, that's what the whole point of fiction is.”

“In my fiction, there's a lot that's borrowed from music. It's never like I'm taking a lyric, but more the mood of a particular song. 'The Boy Detective Fails' was like listening to 'Eleanor Rigby' by The Beatles, this very melancholy-but-poppy song.”

“I would say I have a complicated relationship with institutionalized religion.”

“As an author on a corporate press, you have a lot less control over the finished product. I figure if I spend a couple years writing something, I want to be able to decide what the cover looks like and how it's going to be presented.”

“There's slowly been a kind of shift in how we think about childhood. It's like childhood almost extends to 20 or 22 even after the end of college. When I was growing up, there was this expectation that you were on your own now.”

“Imagination is a place where all the important answers live.”

“When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.”

“I have a number of friends that try to live off their writing, and there's way more pressure for a hit or to write a certain type of book. You can't do a limited-edition short-story book with drawings unless you don't want to eat anything but ramen.”

“My first book is really comparable to what I do now, where it's pretty surreal and strange at moments, but that being my first book - I wrote that when I was 22; it came out when I was 24 - and it was just really overwritten. I just didn't trust myself as a writer to say something once.”