Jane Kenyon

“HereYou always belonged here.You were theirs, certain as a rock.I’m the one who worriesif I fit in with the furniture and the landscape. But I “follow too muchthe devices and desires of my own heart.”Already the curves in the roadare familiar to me, and the mountainin all kinds of light, treating all people the same.and when I come over the hill, I see the house, with its generous and firm proportions, smokerising gaily from the chimney.I feel my life start up again, like a cutting when it growsthe first pale and tentativeroot hair in a glass of water.”

“OtherwiseI got out of bed on two strong legs. It might have been otherwise. I ate cereal, sweet milk, ripe, flawless peach. It might have been otherwise. I took the dog uphill to the birch wood. All morning I did the work I love.At noon I lay down with my mate. It might have been otherwise. We ate dinner together at a table with silver candlesticks. It might have been otherwise. I slept in a bed in a room with paintings on the walls, and planned another day just like this day. But one day, I know, it will be otherwise.”

“Reading Aloud to My Father I chose the book haphazardfrom the shelf, but with Nabokov's firstsentence I knew it wasn't the thingto read to a dying man:The cradle rocks above an abyss, it began,and common sense tells us that our existenceis but a brief crack of lightbetween two eternities of darkness.The words disturbed both of us immediately,and I stopped. With music it was the same --Chopin's Piano Concerto — he asked meto turn it off. He ceased eating, and dranklittle, while the tumors briskly appropriatedwhat was left of him.But to return to the cradle rocking. I thinkNabokov had it wrong. This is the abyss.That's why babies howl at birth,and why the dying so often reachfor something only they can apprehend.At the end they don't want their handsto be under the covers, and if you should putyour hand on theirs in a tentative gestureof solidarity, they'll pull the hand free;and you must honor that desire,and let them pull it free.”

“To the bottle in the ditch, to the scoopin the oats, to air in the lunglet evening come.Let it come, as it will, and don'tbe afraid. God does not leave uscomfortless, so let evening come.”

“The poet's job is to put into words those feelings we all have that are so deep, so important, and yet so difficult to name, to tell the truth in such a beautiful way, that people cannot live without it.”

“HappinessThere's just no accounting for happiness,or the way it turns up like a prodigalwho comes back to the dust at your feethaving squandered a fortune far away.And how can you not forgive?You make a feast in honor of whatwas lost, and take from its place the finestgarment, which you saved for an occasionyou could not imagine, and you weep night and dayto know that you were not abandoned,that happiness saved its most extreme formfor you alone.No, happiness is the uncle you neverknew about, who flies a single-engine planeonto the grassy landing strip, hitchhikesinto town, and inquires at every dooruntil he finds you asleep midafternoonas you so often are during the unmercifulhours of your despair.It comes to the monk in his cell.It comes to the woman sweeping the streetwith a birch broom, to the childwhose mother has passed out from drink.It comes to the lover, to the dog chewinga sock, to the pusher, to the basket maker,and to the clerk stacking cans of carrotsin the night.It even comes to the boulderin the perpetual shade of pine barrens,to rain falling on the open sea,to the wineglass, weary of holding wine.”