Jackie Haze

“Portland was a dream both in the literal sense and the metaphorical sense, both tangible and not - a fleeting affair you want to hold on to but can't, so you try memorizing her every detail only to fail to do so in the consumption, in the savoring, in the absorbing of yourself into her. When she's gone, she comes to you in snippets, replaying in your mind like a fragmented picture show.”

“I have always thought that people are, by nature, nomadic, but they’ve built up anti-human constructs to keep them in place and then they pop pills to mask their misery and look for ways to distract from their emptiness.”

“An emotionally abusive relationship, in very simplistic terms, is much like standing up in a too hot bath and sinking back in so as not to feel so dizzy.”

“She started beating it against the walls and floor until it was nothing but pieces, nothing but a memory of a guitar. I had an idea, though not yet clear, that it wasn’t her arms that beat what once could sing, but her heavy heart, as she once said that even the Rock of Gibraltar had ten thousand holes.”

“The times on the open road with all the unknown ahead were the times I was happiest and most secure, with people who knew our core and lived solely for the purpose of unmediated experiences and love, from which purpose itself is born. Not the distant idea of life, love and purpose dirtied by constructs.”

“It felt important to be able to pick up and go whenever this endless stirring and inevitable craving for a change of scenery would bubble over because I didn’t want to die someday yearning for something else when it was only “something else” worth living.”

“Venice was a contrast from Los Angeles itself, where you might see a woman with $15,000 tits, a face frozen in place by Botox, wobbling with her $4,000 Gucci bag right past a child with a sunken belly and exposed ribs encaging a heart too weak to scream.”

“In the lowest of lows you can learn the highest of highs, and that often when you get to the point of wanting to die, it’s because you already have and are truly aching to live.”

“Moreover, we were to each other aspects of a dream unrealized. I emblemized the excitement of freedom, a life untethered by the confines of constructs. She illustrated a sense of belonging, of ongoing laughter in the face of those constructs, a true lifeline within the walking dead. We were standing in different places, yet the same, seeing within each other a sense of truth within the lies, a radiant light that illuminated the dark.”

“I felt that the magical people must be in the hidden back roads and dusty cubby holes of life; on highways, in hostels, and in shabby, smoky cafes. These enchanting people are in trees, around fires and under hand-knit hats and street lamps reflecting gold on rain soaked pavement. They dance while others dangle; they vibrantly sing the songs that get jumbled and stuck in the subconscious of others who only wish to catch tune. They are the rare ones whose uncommon experiences touch your heart through just a wink of their eye, the stories stitched in the holes of their shoes, invoking a longing for the unknown, taking others to a place of missing what they've never even had -- they do not settle, they do not compromise.”

“Often I didn’t think I was cut out for the way the world is, being born into a common culture and system I would never choose for myself.”

“Many things as we have constructed them can be redefined and are neither correct nor incorrect. I love making love to a woman. I love her every quiver, her every movement, her every moan, her every breath. I love the journey my hands make over her every soft curve, the smell of her skin, and I revel in the feminine beauty, unmatched by anything else on this earth. But the core connection is what matters most and, while I don’t know what draws me to the essence of women rather than men or both, I wanted to be swallowed up by exactly that – the mystery of why we don’t want to be without each other.”

“I imagined each experience going on in that city, the world that was taking up my chest and throat, and I wanted to experience all of them. For every person sitting on a roof top staring at the stars, every person driving out to the desert with their lover and a mattress in the back of their pickup, every adrenalin shot of stepping on a stage or movie set, every hand and breath casting music into the night, every kiss that felt like the first, every breath stealing glance, every dance, every burst of camera light, everything – I wanted to do it all. I was a moment chaser.”