Henryk Sienkiewicz

“More than once have I thought, Why does crime, even when as powerful as Cæsar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble? I consider that to murder a brother, a mother, a wife, is a thing worthy of some petty Asiatic king, not a Roman Cæsar; but if that position were mine, I should not write justifying letters to the Senate. But Nero writes. Nero is looking for appearances, for Nero is a coward. But Tiberius was not a coward; still he justified every step he took. Why is this? What a marvellous, involuntary homage paid to virtue by evil! And knowest thou what strikes me? This, that it is done because transgression is ugly and virtue is beautiful. Therefore a man of genuine æsthetic feeling is also a virtuous man. Hence I am virtuous.”

“And all at once he saw before him a precipice, as it were without bottom. He was a patrician, a military tribune, a powerful man; but above every power of that world to which he belonged was a madman whose will and malignity it was impossible to foresee. Only such people as the Christians might cease to reckon with Nero or fear him, people for whom this whole world, with its separations and sufferings, was as nothing; people for whom death itself was as nothing. All others had to tremble before him. The terrors of the time in which they lived showed themselves to Vinicius in all their monstrous extent...Vinicius felt, for the first time in life, that either the world must change and be transformed, or life would become impossible altogether. He understood also this, which a moment before had been dark to him, that in such times only Christians could be happy.”

“It has been said that Poland is dead, exhausted, enslaved, but here is the proof of her life and triumph.”

“But the French writers always had more originality and independence than others, and that regulator, which elsewhere was religion, long since ceased to exist for them.”

“Evidently the merit depends on the result of the work.”

“They did not, however, infect the air as the Sudanese sun dried them up like mummies; all had the hue of gray parchment, and were so much alike that the bodies of the Europeans, Egyptians, and negroes could not be distinguished from each other.”

“If the infinity of the sea may call out thus, perhaps when a man is growing old, calls come to him, too, from another infinity still darker and more deeply mysterious; and the more he is wearied by life the dearer are those calls to him.”

“Tell me,' asked Stas, 'what is a wicked deed?' 'If anyone takes away Kali's cow,' he answered after a brief reflection, 'that then is a wicked deed.' 'Excellent!' exclaimed Stas, 'and what is a good one?' This time the answer came without any reflection: 'If Kali takes away the cow of somebody else, that is a good deed.' Stas was too young to perceive that similar views of evil and good deeds were enunciated in Europe not only by politicians but by whole nations.”

“The profession of the writer has its thorns about which the reader does not dream.”

“As to women, I agree that each has three or four souls, but none of them a reasoning one.”

“It is not Atlas who carries the world on his shoulders, but woman; and sometimes she plays with it as with a ball.”