Hendrik Willem Mesdag

“many free pictures of Mesdag's paintings: on the website, Rijksmuseum Amsterdam”

“biographical notes on Hendrik Willem Mesdag, in Dutch RKD-Archive, The Hague”

“Amice, It gives me so much pleasure that when judging Mesdag's work you only talk about the inner mérites [merits] of that work and you abandon the impossible rubbish about his wealth, his presidency of Pulchri.. ..and his art collection. As was expected from you anyway. You say perfectly well that his Water [in his seascapes] is not the strong side and happily you refuse to talk about his infinity of horizon, his space and his mouvement, which everybody always is talking about. (translation from original Dutch: Fons Heijnsbroek)”

“Broadness, in particular, is the great quality that will remain in his possession until his last breath. Just like he knows how to paint broadly and don't need to be shy for living in a grand way, he has gone 'broadly' through all things in life! (translation from original Dutch: Fons Heijnsbroek)”

“Being self-taught and striving for a broad, fresh original concept of art himself he [ J.W. Bilders ] thought he could not warn Mesdag enough, to be on his guard and not to become a 'little Roelofs'; to point him to look above all with his very own eyes. (translation from Dutch, Fons Heijnsbroek).”

“Can someone else than a Dutchman [Mesdag] conceive and reproduce nature in such a way [and] present such treasure of poetry in the most un-garnished representation of the most simple reality? (translation from original Dutch: Fons Heijnsbroek)”

“Then make those studies outside. With the utmost simplicity you try to get rid of all the so-called manners, and try in one word to follow nature with feeling, but without thinking about the works of others. (translation from original Dutch: Fons Heijnsbroek)”

“I stared at her for many months in my life with a never fading love and with an interest that never diminished. (translation from original Dutch: Fons Heijnsbroek)”

“Those two [ Alma Tadema and Roelofs, teaching both Mesdag in Brussels, 1867-69] instructed in exactly the opposite way, you know. For example, Roelofs used to say: you must put more color in that drawing [often meant: watercolor]. And you didn't always saw it yourself in a moment, because you were not yet that far and as high as the master himself was. But Tadema did something completely different; he had more the manners of a professor, who gave his lectures. So Roelofs and he actually complemented each other. (translation from original Dutch: Fons Heijnsbroek)”

“What I've made there - about some years ago, you will never see that again! It's all over; with Scheveningen it's finished. And when I didn't still know everything about the past from those sketches, indeed it [his painting] was definitely over. (translation from original Dutch: Fons Heijnsbroek)”

“In Groningen [where Mesdag stayed till 1866] I also lived at the harbour, and I always used to chat with those skippers. Afterwards Willem Roelofs and Tadema taught me a lot, in the years from '66 to '69 in Brussels. (translation from original Dutch: Fons Heijnsbroek)”

“And you know, if my wife haven't said some forty years ago: do it, let's go to Brussels to study painting, [with a. o. Willem Roelofs ], then I probably would never have left my business [in banking]. (translation from original Dutch: Fons Heijnsbroek)”

“That splendid, head, in which everything is said that can be said; color, line, tone, expression; the slightly advanced head, with the soft, almost human eyes, I never enter my studio in the morning without my eye falling upon this creature and wishing it 'Good Morning'.”

“..at home [in Brussels, 1869] I was messing around all winter long with a painting; it was a coast, but painted so primitive. Then I said: you must see the sea in front of you, every day, you have to live with it, otherwise it doesn't work. Then we went to The Hague. (translation from original Dutch: Fons Heijnsbroek)”

“Dear Lords, I hereby have the Honor to announce You that the painting 'Het Binnen komen der Haringschuiten in Scheveningen' has been sent today to your address, for your upcoming Exhibition [in Arti, Amsterdam]. The price is f 2500-. I also declare to stay out of competition for the medal. Yours sincerely HW Mesdag. (translation from original Dutch: Fons Heijnsbroek)”

“At the coast you can see the most beautiful sea. I also made my panorama there. I regard it as my most important work; because it gives such a huge impression of nature. But I don't like to start it all again; to paint sixteen hundred meters of canvas there.. (translation from original Dutch: Fons Heijnsbroek)”

“..the art-reviews on my work in the French and English magazines.. ..[are] enough to claim that I already have reached a prominent position among today's marine painters. I would also like to take this fact into consideration when determining my prices. (translation from original Dutch: Fons Heijnsbroek)”

“It was fatal news: the sudden death of our boy, a three-day illness ended his life. What is our house empty.. .,which for eight years [age of their son] was the illusion of our lives. Fortunately for us that we love art and let us hope that we [Mesdag and Sientje, his wife] continue to dedicate our lives to our painting, which has given me already so much pleasure.. (translation from original Dutch: Fons Heijnsbroek)”

“I have rented a room in Scheveningen to make studies from nature. It is a room with view on the sea; I hope to make there beautiful things, and to keep moving forward. (translation from original Dutch: Fons Heijnsbroek)”

“I have studied the subject and painted it directly to nature [his painting 'Scheveningen strandgezicht / Scheveningen, beach view'] and I have tried to reproduce that motif simply and unaffectedly, with no desire to make a painting with a lot of 'éclat' [glow]. (translation from original Dutch: Fons Heijnsbroek)”