Graham Joyce

“Rome is a place almost worn out by being looked at, a city collapsing under the weight of reference.”

“Every day the eye is subject to a thousand tiny shocks as a thousand industries compete for the eye-kick, the visual hook that will lock the consumer into product for that crucial second where the tiny - or not so tiny - leap of the imagination is made.”

“It is, of course, the first recourse of every elitist to see social barbarism in others.”

“Perhaps writers should never be allowed to get together in a workplace context. It's not like studying computer science, after all. The emotions are at large, and are shared and are questioned. There is a vulnerability.”

“George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.”

“You let go. It's as simple and as complicated as Antonia had told me. You cry. You come. You sing. You laugh. You scream. You let go. No one needs to hang on to a first edition. Whoever wrote it; even if it was Moses. I looked back up at the sky, blinking at the lustrous beauty of the ascending and departing demons. They formed an alphabet I was beginning to learn to read. They were fire in the sky.”

“It's just that to a lot of British people George Bush represents the worst of all things American. He's the right-wing Christian crusader, the toxic Texan who refused Kyoto, the poll-cheat eel who undermined democracy on the back of something called 'chads,' a notion we've never entirely grasped.”

“If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so overwhelmed by this experience of life that you have to tell someone about it, and in a way that reorders the experience to make it manageable.”

“I've been playing 'Doom' for some years.”

“Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'”

“Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.”

“I am less interested in ghosts than in people who see ghosts.”

“My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts.”

“The trouble with forgiveness is that some people don't want to be forgiven.”

“I've been a professional writer for 20 years, and there are contours in that time, crescents and troughs.”

“Twenty years is, after all, a long time. We are not the same people we were. Old friends, lovers, even family members: they are strangers who happen to wear a familiar face. We have no right to claim to know anyone after such a distance.”

“The overintellectualization of surrealism can be a bromide. A dream interpreted is a deflated dream.”

“'Plutocracy.' It has a perfect nuance: chilly, inaccessible, icy-rich.”

“Recasting fairy tales has become a publishing sub-genre in itself, and has been done both well and to the point of entropy. More interesting are those works where the structures of fairytales are abandoned but the world of 'fairy' is imported as a delicate spice.”

“Repression in the human psyche is tightly bundled. When it has been pulled out of the sprung package so often it is perhaps difficult to push it back in the box.”