Frédéric Bazille

“Don't worry! I bring to it all the necessary objectivity, don't be alarmed.. ..dirty machinists, very dumb musicians, a very old [choreographer] Monsieur Auber, and everyone only thinks about getting her job done as quickly as possible to earn a living.”

“[ Monet is] ..hard at work for some time now. His paintings has really progressed, I'm sure it will attract a lot of attention. He has sold thousands of franc's worth of paintings in the last few days, and has one or two other small commissions. He's definitely on his way.”

“Finally.. ..I will have finished the paintings for my uncle. I have completely reworked them since my last letter [to his mother, 5 May 1865]; originally I had included a mass of details, which, from the distance they were intended to be viewed, had a very bad effect. I have worked at breakneck speed for two weeks, and now I am rather pleased, at least with one of them.”

“I have begun one of the pictures of my uncle, which would be finished in the most, two weeks, if only I were able to go to Fontainebleau [probably because Manet urged him to pose for his [[w:Le Déjeuner sur l'herbe|'Déjeuner sur l'herbe'] to do some needed studies. In any case neither will be finished before next August. I am taking great pains with them and I hope my uncle will be very pleased.”

“I do hope, that if I ever do anything, at least to have the merit of not copying anyone.”

“This country [landscape around Honfleur, where Bazille was painting with Monet, circa 1864] is paradise. Nowhere could you find more lush fields with more beautiful trees. Cows and horses roam freely everywhere.”

“Certain parts of the forest [the forest Bas Bréau, near Barbizon ] are truly wonderful. We can't even imagine such oak trees in Montpellier.”

“The big classical compositions are finished; an ordinary view of daily life would be much more interesting.”