Edward Rutherfurd

“And suddenly it came to him. That Strawberry Fields garden he'd come from, and the Freedom Tower he'd been thinking of: taken together, didn't they contain the two words that said it all about this city, the two words that really mattered? It seemed to him that they did. Two words: the one an invitation, the other an ideal, an adventure, a necessity. "Imagine" said the garden. "Freedom" said the tower. Imagine freedom. That was the spirit, the message of this city he loved. You really didn't need anything more. Dream it and do it. But first you must dream it.”

“Don't you know there's another bubble as well? An expectations bubble. Bigger houses, private planes, yachts... stupid salaries and bonuses. People come to desire these things and expect them. But the expectations bubble will burst as well, as all bubbles do.”

“For centuries my father's family lived on Britain's biggest tidal river, the Severn, on which there was a huge trade with the interior, and through the Port of Bristol with America.”

“So does nobody care about Ireland?""Nobody. Neither King Louis, nor King Billie, nor King James." He nodded thoughtfully. "The fate of Ireland will be decided by men not a single one of whom gives a damn about her. That is her tragedy.”

“Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.”

“I first considered writing 'New York' in 1991. I'd been in the city for a decade, was married to an American wife, and sending my children to New York schools. I was even on the board of a coop building. But I wasn't sure how to organize such complex material, and for many years I put the project aside.”

“For novelists, the imagination is everything. The trick is to guide one's imagination using research. I love using old maps. When I wrote my novels on London and New York, I found wonderful historical atlases. Paris has the most lavish maps of all.”

“I myself was born beside a river - the Avon in Sarum. So when I first encountered New York's great harbor and the Hudson River as a teenager, and came to understand their historic canal and railroad links to the vast spaces of the Midwest, I felt both the thrill of a new adventure and a deep sense of homecoming.”

“For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.”

“All of my career has been an attempt to educate myself and get paid for it.”

“I descend from both Philadelphia Quakers and Carolina colonists whose families were separated by the Revolutionary War. That helped give me insight into the agony of Patriots who, until the British government denied their claims, had always, like Ben Franklin himself, thought of themselves as free-born Englishmen.”

“Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.”

“Always remember this, Henri. Men trade for profit. They are driven by greed. But debt is about fear, and fear is stronger than greed. The true power, the weapon that defeats all others, is debt. Fools search for gold. The wise man studies debt. That is the key to all business.”