Doris Lessing

“Loneliness, she thought, was craving for other people's company. But she did not know that loneliness can be an unnoticed cramping of the spirit for lack of companionship.”

“The critics slap labels on you and then expect you to talk inside their terms.”

“I always hated Tony Blair, from the beginning.”

“When you're young you think that you're going to sail into a lovely lake of quietude and peace. This is profoundly untrue.”

“I don't think that the feminist movement has done much for the characters of women.”

“I've worked hard all my life. You have to if you want to get things done.”

“In fact I've reached the stage where I look at people and say - he or she, they are whole at all because they've chosen to block off at this stage or that. People stay sane by blocking off, by limiting themselves.”

“Everything all the time in a city is extraordinary!”

“Time and distance from the first and second world wars doesn't seem to lessen their horrors.”

“My father was always so mingled with rage at his life.”

“The real reason why so many artists now take to politics, ‘commitment’ and so on is that they are rushing into a discipline, any discipline at all, which will save them from the poison of the word ‘artist’ used by the enemy. I remember very clearly the moments in which that novel was born. The pulse beat, violently; afterwards, when I knew I would write, I worked out what I would write. The ‘subject’ was almost immaterial. Yet now what interests me is precisely this — why did I not write an account of what had happened, instead of shaping a ‘story’ which had nothing to do with the material that fuelled it. Of course, the straight, simple, formless account would not have been a ‘novel’, and would not have got published, but I was genuinely not interested in ‘being a writer’ or even in making money. I am not talking now of that game writers play with themselves when writing, the psychological game — that written incident came from that real incident, that character was transposed from that one in life, this relationship was the psychological twin of that. I am simply asking myself: Why a story at all — not that it was a bad story, or untrue, or that it debased anything. Why not, simply, the truth?”

“I'm very unhappy when I'm not writing.”

“I do have a sense, and I've never not had it, of how easily things can vanish.”

“she was wishing that whatever stage of her life she ws in now could be got through quickly, for it was seeming to her interminable. If life had to be looked at in terms of high moments or peaks, then nothing had "happened" to her for a long time; and she could look forward to nothing but a dwindling away from full household activities and getting old.”

“We stood, separated by space, certainly, in identical conditions of pleasant uncertainty and anticipation, and we both held our heart in our hands, all pink and palpitating and ready for pleasure and pain, and we were about to throw these hearts in each other's faces like snowballs, or cricket balls (How's that?) or, more accurately, like great bleeding wounds: "Take my wound". Because the last thing one ever thinks at such moments is that he (or she) will say: Take my wound, please remove the spear from my side. No, not at all; one simply expects to get rid of one's one.”

“Our society is dependent on some precarious mechanisms, and they are very dicey. They can easily collapse.”

“Every evening I sat on the music-stool and wrote down my day, and it was as if I, Anna, were nailing Anna to the page. Every day I shaped Anna, said: Today I got up at seven, cooked breakfast for Janet, sent her to school, etc. etc., and felt as if I had saved that day from chaos. Yet now I read those entries and feel nothing. I am increasingly afflicted by vertigo where words mean nothing. Words mean nothing. They have become, when I think, not the form into which experience is shaped, but a series of meaningless sounds, like nursery talk, and away to one side of experience. Or like the sound track of a film that has slipped its connection with the film. When I am thinking I have only to write a phrase like ‘I walked down the street’, or take a phrase from a newspaper, ‘economic measures which lead to the full use of …’ and immediately the words dissolve, and my minds starts spawning images which have nothing to do with the words, so that every word I see or hear seems like a small raft bobbing about on an enormous sea of images. So I can’t write any longer. Or only when I write fast, without looking back at what I have written. For if I look back, then the words swim and have no sense and I am conscious only of me, Anna, as a pulse in a great darkness, and the words that I, Anna, write down are nothing, or like the secretions of a caterpillar that are forced out in ribbons to harden in the air.”

“We are all of us, to some degree or another, brainwashed by the society we live in. We are able to see this when we travel to another country, and are able to catch a glimpse of our own country with foreign eyes.. the best we can hope for is that a kindly friend from another culture will enable us to look at our culture with dispassionate eyes.”

“I have ideas that I will probably never write now.”

“There is no doubt fiction makes a better job of the truth.”