Donna Tartt

“It seems to me that psychology is only another word for what the ancients called fate.”

“I was jarred - a little spooked as well - at so blatant a reference to something referred to, by mutual agreement, almost exclusively with codes, catchwords, a hundred different euphemisms."It was the most important night of my life," he said calmly. "It enabled me to do what I've always wanted most.""Which is?""To live without thinking.”

“But, if I dare say it, it wasn't until I had helped kill a man that I realized how elusive and complex an act a murder can actually be, and not necessarily attributable to one dramatic motive.”

“Children love secret club houses. They love secrecy even when there's no need for secrecy.”

“...it's so heartbreaking and unnecessary how we lose things. From pure carelessness. Fires, wars. The Parthenon, used as a munitions storehouse. I guess that anything we manage to save from history is a miracle." p28”

“I have only to glance over my shoulder for all those years to drop away and I see it behind me again, the ravine, rising all green and black through the saplings, a picture that will never leave me.”

“Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.”

“When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.”

“In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.”

“And, lying on my bed in some biscuit-colored hotel room in Nice, with a balcony facing the Promenade des Anglais, I watch the clouds reflected on sliding panes and marvel even how my sadness can make me happy . . .”

“…I’ve come to realize that the only truths that matter to me are the ones I don’t, and can’t, understand. What’s mysterious, ambiguous, inexplicable. What doesn’t fit into a story, what doesn’t have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy.”

“Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?”

“There's an expectation these days that novels - like any other consumer product - should be made on a production line, with one dropping from the conveyor belt every couple of years.”

“I sometimes get the feeling that he was less pleased by kindness itself than by the elegance of the gesture.”

“. . . is it better to throw yourself head first and laughing into the holy rage calling your name?”

“I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?”

“Every new event - everything I did for the rest of my life - would only separate us more and more: days she was n longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.”

“When we are sad...it can be comforting to cling to familiar objects, to things that don't change.”

“And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand. What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy.”

“Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships.”