David Markson

“Although one curious thing that might sooner or later cross the woman's mind would be that she had paradoxically been practically as alone before all of this had happened as she was now, incidentally. Well, this being an autobiographical novel I can categorically verify that such a thing would sooner or later cross her mind, in fact. One manner of being alone simply being different from another manner of being alone, being all that she would finally decide that this came down to, as well. Which is to say that even when one's telephone still does function one can be as alone as when it does not.”

“Was it really some other person I was so anxious to discover...or was it only my own solitude that I could not abide?”

“I still notice the burned house, mornings, when I walk along the beach. "Well, obviously I do not notice the house. What I notice is what remains of the house. One is still prone to think of a house as a house, however, even if there is not remarkably much left of it.”

“You can learn more by going to the opera than you ever can by reading Emerson. Like that there are two sexes.”

“Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.”

“Coincidences undeniably imply meaning.I am rereading Hart Crane.I notice the dateOn which he stepped off that boatWas April 26.Tomorrow is April 26.The year of his suicide was 1932.I was four.I am now fifty-one.One undeniable implication in this case thenIs that the year, today,Is 1979.Afterward, Crane’s mother scrubbed floors.Eventually, I may or may notJump overboard.Are there questions?”

“I like Mr. Dickens’ books much better than yours, Papa. Said one of Thackeray’s daughters.”

“Once, somebody asked Robert Schumann to explain the meaning of a certain piece of music he had just played on the piano. What Robert Schumann did was sit back down at the piano and play the piece of music again.”