A biography for Daniel Woodrellhasn’t been written yet.
“I came back when I'd had a taste of other places and realized that I would never feel the same sense of connection to any place other than the Ozarks.”
“I'm not from the movie world. I'm from the book world.”
“I love Shakespeare and the Greeks - learned a lot studying them at one time.”
“I'd just lie around all day. It's the chemo, the poison they pump into you. Sometimes I'd be walking across the room and think, 'There it is; I got to rest.' And I had to, right then.”
“The Dolly's around here can't be seen to coddle a snitch's family --- that's the always been our way. We're old blood, us people, and our ways was set firm long before hot shot baby Jesus ever even burped milk'n sh*& yellow.”
“I was reading newspaper front pages from the 1930s, and I was taken aback. I'm not naive about American history, but I was a bit knocked off my feet by things that used to be on the front pages of newspapers.”
“The opening novel of the 'Bayou Trilogy' was the first one I finished.”
“This happens to me all the time: I think I'm working on one thing, but this other thing, whether I want it to or not, keeps coming through.”
“If you don't allow yourself to change from book to book - take chances - it turns into a dullish job with no health benefits or pension plan and only intermittent paychecks.”
“Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.”
“I tell the story by feel most of the time, and I am not much given to labyrinthian digressions but seem to be naturally drawn to compression and pace, and the feelings come about on their own.”
“I was basically raised to look for chances to get even with several families for stuff that happened 30 or 40 years before I was born.”
“For a long time, I didn't think I wanted to live in the Ozarks or write about the region. It seemed to be a sure recipe for obscurity, and to be obscure was not my conscious ambition.”
“I just really like the verve and muscle of good crime fiction, the narrative punch of it. The underlying principle of good crime fiction is an insistence on a kind of root democracy. I've always responded to that notion.”