Cherie Lunghi

“I've got an overactive, analytical brain. I get frustrated, impatient, angry with myself. I swear at myself a lot.”

“I have done so many love scenes in the past that I have learned how to pull off a sexy smoulder on the dance floor.”

“Sadly, the timing's never been right. There have been men who would have married me but I didn't feel the same, and vice versa.”

“People ask me how I manage without a man in the same tone they might ask someone how they're doing with just one lung, but it's not like that at all.”

“I've been a single parent for a long time. It reminds me of being a waitress. As you walk back to the kitchen, requests come at you from all sides. You're doing the job of two - you have to be highly organised.”

“I didn't get attached to Botox. It is costly, and you have to remember to keep doing it.”

“I try to live my life as honestly as I can, and the last thing I want is to pretend to be something I'm not. To pretend to myself I am a sex symbol would somehow be dishonest. I'd feel, in my heart, that I were behaving artificially and that's the last thing I want to do.”

“I want to play women my own age, rather than artificially 'de-age' myself so that I can play women who are younger or much younger than I am. I want to grow into those kind of more mature parts, not try and keep them at bay for as long as I possibly can.”

“To keep my back from getting stiff, I have a strict regime every morning of stretching and do yoga once a week and Pilates. 'Strictly Come Dancing' in 2008 was great for my fitness.”

“I really enjoyed staying at an encampment at the top of a hill in the Samburu Reserve in Kenya. You reach it on a small plane; there is no electricity, no city noises and you sleep and shower under the Milky Way, with moths fluttering around a kerosene lamp, knowing that there are elephants and lions roaming free in the valley.”

“I had my appendix removed in my 20s. I was in the middle of a play with Helen Mirren at the Royal Court Theatre, a fabulous career break. Then two weeks in I began suffering the most horrendous pain and had to pull out. Sadly, by the time I'd recovered, the show's run had ended.”

“My mum - and my granny and I - would close the curtains, turn on the TV and snuggle up and watch 'Come Dancing.' It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.”

“I have that precious commodity - freedom. I can live my life a day at a time, and I am open to whatever the next day brings. I know I sound as if I have been off with some guru in India, but I haven't. I've come to realise the value of being able to decide for oneself.”

“I'm mad keen on recycling because I'm worried about the next generation and where all this waste we're producing is going. It has to stop. I wash out my plastic containers and recycle envelopes, everything I possibly can.”

“The lines on your face are your medals. You've earned them, so why shouldn't they be worn with honour?”

“I think being raised by a single mother put me on the outside, and I would watch my mother's married friends and think, 'Why does she put him down in public?' or, 'Why is he so rude to her?' It seemed to me that there were very few marriages where the couple were genuinely in a supportive, loving partnership.”

“I wear my lines like a soldier wears his medals. They've been earned. They've been fought for - so there's no reason to be ashamed of them. In your 50s, you just care less about that sort of thing. I think it's to do with what's inside you. You can't obsess about the outside.”

“I enjoy art, architecture, museums, churches and temples; anything that gives me insight into the history and soul of the place I'm in. I can also be a beach bum - I like to laze in the shade of a palm tree with a good book or float in a warm sea at sundown.”

“At the beginning of my acting career, I worked for two seasons at the RSC and spent a lot of time in the Cotswolds exploring Shakespeare's countryside. It's my kind of English landscape, with its tiny villages and one-room thatched pubs.”

“I grew up in the Fifties, and the majority of people in my class had fathers living at home. I was very aware that I was in the minority. I had a foreign name, and my daddy didn't come and pick me up from school. I felt like an outsider, which probably helped me as an actress.”