Charlotte Higgins

“I love the British Museum, despite everything. I have had my eyes opened, my imagination set on fire, my intellect challenged by it too many times to mention. ... A fortnight ago, I stopped by to admire the beauty of the Parthenon sculptures, the galloping horsemen and reclining gods innocent of their role in a diplomatic feud. The museum was full of schoolchildren. The place was vibrating with the energy and excitement that comes from the encounter with glorious, awe-inspiring objects. But taking £50m from a polluter? It fills my heart with dread that the museum should take so wrong a turn.”

“But "the classics" are so much more than this careless and aggressive chucking around of Latin and Greek tags, as if they were bread rolls at a Bullingdon club dinner.”

“The wording chills me slightly, with its suggestion of a regular consignment of Eton scholars as if by a law of nature.”

“The classics and class have always been ­uncomfortably linked. In this country's education system, knowledge of the classics was traditionally the gatekeeper of privilege. If you ­acquired the classics (even as a humble stonemason's son, like Thomas Hardy) you gained a passport to the establishment. Fail (like Hardy's character Jude) and the corridors of power remained out of reach.”

“In north Staffordshire, it is perfectly acceptable, indeed polite social practice, to turn over a plate and inspect the backstamp if you are eating at a friend’s house. Because Stoke has historically had a rather stable, immobile population, memories are long and the tentacular reach of families into the pottery industry goes back generations.”

“If the prevailing feeling is that Latin and Greek are for toffs, then Boris [Johnson], frankly, is not the man to dispel that notion.”