Cecil Taylor

“Rhythm is the life of space of time danced through.”

“The emphasis in each piece is on building a whole, totally integrated structure. In doing this, we try to carry on - in ensemble as well as solo sections - the mood of a jazz soloist. I mean that principle of kinetic improvisation that keeps a jazz solo building.”

“I only had three teachers, really, that were interesting, and all three of them were women.”

“Mother, being a pianist, told me how to play with my fingers on the piano.”

“Lena Horne - when she walked onstage, she really was Erzulie.”

“The first record I made, when I listen to it, I understand. I understand perfectly well why certain musicians were unhappy with me. I had to decide: was I unhappy with me? I liked it. If they didn't like it, it was on them.”

“I am not afraid of European influences. The point is to use them, as Ellington did, as part of my life as an American Negro.”

“When I came out of the conservatory, the first thing I did was to go see Thelonious Monk.”

“When you play, when you perform, it might be for the last time, so you got to do it.”

“If you take the creation of music and the creation of your own life values as your overall goal, then living becomes a musical process.”

“What I am doing is creating a language. A different American language.”

“They say, 'We will give you money, but we want you to play this or that.' And I always thought, 'If I'm going to do that, I might as well go back and be a dishwasher.'”

“To me, the piano in itself is an orchestra.”

“Someone once asked me if I was gay. I said, 'Do you think a three-letter word defines the complexity of my humanity?' I avoid the trap of easy definition.”

“I'm saying that people who are enmeshed in situations of subjugation and have to live, have to find ways to project their dignity as human beings - in spite of all the efforts of those around them to degrade them - I'm saying that this music is the manifestation of the dignity in the life that has always been present.”

“The quality of life, values that go down to doin' that, that's the issue.”

“I discovered very early that it wasn't quite enough for me to imitate people.”

“You know what the material is so that you never play it the same way twice.”

“Find one note on the instrument that pleases you, and then find another note that also pleases you.”

“When you think about musicians who are reading music, my contention has always been the energy that you're using deciphering what the symbol is is taking away from the maximum creative energy that you might have had if you understood that it's but a symbol.”