Carolyn Lee Adams

“I shut up. I don't fight, I don't scream. Shame rides alongside my terror. But somewhere deep, deep inside, I hear Mom tell me to trust my gut. My gut tells me I am blind and I am lost, and if I fought for freedom now, it would end in my death. I listen to my gut. Because I want to live.”

“And in the echo of that gladness, horror blooms within me. In its own strange way, it's a horror as deep as any I've experienced so far. I've succeeded in taking another human hostage, in making him urinate on himself. I made a plan to torture someone, and then I carried it out, and it satisfied me to do so. As much hurt and hell as the Wolfman has caused, I don't want to be his judge and jury, his jailer and tormentor. I don't want to be that person. I want to be good. I don't want to fall into a big, black pit of darkness, because what if I can't get out?”

“I have no idea what to do, and everything is starting to feel dangerously hopeless. Hopelessness is not an emotion to be indulged. On the heels of hopelessness comes defeat, and even though everything seems pointless and impossible, I still want to win. Underneath my confusion and utter, bone-crushing fatigue, even though I don't know much of anything at all, I still know I want to win.”

“When he unleashes on her everything falls together. Like a crick in the neck snapped into place, the boy's brain pops and is put right. It is a beautiful undoing, a beautiful becoming. He doesn't stop to think about it when the punches follow her down to the ground. He doesn't stop to notice when she goes still or when the pool of blood under her head pillows out into a great, liquid heart. He doesn't stop until he's pulled off her and he doesn't start to think again until that night, when he's back at home. For hours and hours his brain stays beautifully popped into place.”

“I don't know how the Wolfman knows all this, but he's not wrong. My warm cheeks turn scalding hot. "Your shame is a good sign. You may break sooner than I thought. The breaking is good. It purifies.”

“He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.”

“Through the red haze of my blood I see a strange expression on his face. His eyes have come alive, and I don't like it at all. He's getting off on this now in a way he wasn't before. My first thought is that my honesty is feeding him in a bad, bad way and my second thought is not to question my gut."These are going to be very good days," he says to me.”

“I know you, Ruth Ann Carver. I know you better than you know yourself. You think you do things right. You think you're a paragon of right living. This is a self-told lie, one bolstered by your coddling parents and grandparents.”

“It was like a commercial for laundry detergent or tampons or a prescription medication with death listed as a possible side effect.”

“Wolfman clears everything off the table except his gun. That he keeps close at hand. There is a sense of ceremony about his actions. My stomach tightens up. We are about to begin.”

“As I squeeze, he turns his head, and there is the tiniest, slimmest of moments when he sees me. I look into those wolf eyes, and even though they are empty, they're still alive. In that split second he is alive and looking at me. I am alive and looking at him. Then the moment is over, the trigger is pulled back, and the gun is empty.”

“I will not be a victim. I will not think like a victim. I am going to avenge all those little girls. I am going to win.”