A biography for Barry McGeehasn’t been written yet.
“I'm really into California art from the '60s. I like a lot of Bay Area artists, like Nathan Oliveira and Bruce Conner.”
“I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.”
“The parts of graffiti I like are really antagonizing still - it's not something that a museum would really embrace.”
“It's very intense to go back to the past and revive work that I've already experienced and moved forward from. It's like seeing an old girlfriend - awkward at times, nostalgic at times and downright maddening and embarrassing.”
“Drawings, paintings, and sculptures. That's the three pillars of art academia.”
“If I could get the respect of 14-year-olds, I'm happy. They're the toughest audience.”
“My artwork gets stolen all the time; it's ridiculous.”
“Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term 'street artist' falls from the face of the earth, in my honest opinion.”
“Some people are enraged, and some people are applauding. If there were a mission statement for graffiti, that would be it.”
“Galleries are easier to steal from than the Apple Store, maybe.”
“I just try to get away with as much as I can. I don't think that's very radical in the art world.”
“I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.”
“Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard.”
“I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom.”
“Some of my favorite pieces are from thrift shops. When I find something I really love, I live, work and sleep in it.”
“As soon as street art got popular, I was just like, 'I'm out of here.'”
“As soon as I start reading, drawing comes to me more easily. I find I work in my sketchbooks more. But if I'm working on a new show, my reading completely stops except when I'm on a plane. I take a stack of New Yorkers with me. I feel awful about those stacks of New Yorkers.”
“I read in a weird way. It comes in waves, and then I start, like, five different books at once. It takes me six months to a year to finish them all, since I read mostly on planes.”
“I'm really into California art from the '60s.”
“I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It's the most radical thing.”