A biography for August Wilsonhasn’t been written yet.
“Black Mary: Leroy. And John. And Cujoe. And Sam. And Robert. One after the other they come and they go. You can't hold on to none of them. They slip right through your hands. They use you up and you can't hold them. They all the time taking till it's gone. They ain't tried to put nothing to it. They ain't got nothing in their hand. They ain't got nothing to add to it. They too busy taking. They taking 'cause they need. You can't blame them for that. They so full of their needs they can't see you. Now here you come. You don't even know what you need. All you see is a woman. You can't see nothing else. You can't think nothing else. That blinds you. (Black Mary turns to him. A new thought occurs to her.)Okay, Mr. Citizen. I'll come to your room tonight. But the morning got to come, Mr. Citizen. What you got then? You tell me tomorrow. You wake up and look at your hands and see what you got. Citizen: I got me. That's all there is. Black Mary: That ain't never gonna be enough.”
“If you want to participate in life, you have to deny your identity.”
“I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.”
“Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history.”
“I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.”
“Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone.”
“I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'Oprah' one time. I'd rather read.”
“I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.”
“A novelist writes a novel, and people read it. But reading is a solitary act. While it may elicit a varied and personal response, the communal nature of the audience is like having five hundred people read your novel and respond to it at the same time. I find that thrilling.”
“Pittsburgh is a very hard city, especially if you're black.”
“The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.”
“The most valuable blacks are those in prison, those who have the warrior spirit, who had a sense of being African. They got for their women and children what they needed when all other avenues were closed to them.”
“I just write stuff down and pile it up, and when I get enough stuff, I spread it out and look at it and figure out how to use it.”
“I write for myself, and my goal is bringing that world and that experience of black Americans to life on the stage and giving it a space there.”
“I dropped out of school, but I didn't drop out of life. I would leave the house each morning and go to the main branch of the Carnegie Library in Oakland where they had all the books in the world... I felt suddenly liberated from the constraints of a pre-arranged curriculum that labored through one book in eight months.”
“You can't visit the sins of the father upon the child.”
“I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.”
“As soon as white folks say a play's good, the theater is jammed with blacks and whites.”
“I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.”
“It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.”