Apollo Robbins

“If you don't attend to something, you can't be aware of it. But ironically, you can attend to something without being aware of it.”

“When I was around 13 or 14, and I was in a private school, I had a Frisbee that had the name Apollo on it. And I'd walk around with it. People would say, 'Hey, there's that Apollo kid.' That's where the name generated from.”

“I was doing all these hand exercises, trying to move things like other kids, catch things like other kids, and change my reflexes, and I guess I just didn't stop. That's why if somebody says to me, 'Can I learn this?' I will say, 'Probably, if you can get the psychology right.'”

“Usually, when people watch magic, there are two levels: the people who walk away accepting that there are things they don't know, and the other group, who wants to know, 'How did it work? How did that happen?' They want to unravel the puzzle.”

“I had physical disabilities as a kid. I had fine gross motor problems, so I didn't have natural dexterity in my hands. I also wore corrective braces on my legs, like in 'Forrest Gump.'”

“One time, I had a guy, when I was performing at Caesar's Palace, and during the course of the show, I offered him an anniversary gift for him and his wife, and it was her watch wrapped in a little package.”

“I wouldn't be able to do the things I do if I hadn't been around and seen the stuff my brothers did.”

“Attention is what steers your perceptions; it's what controls your reality. It's the gateway to the mind.”

“Many times, illusions or magic sets are designed as an exposition for the audience to watch, but the the style I do with the pickpocketing is directly interactive.”

“There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.”

“At the zoo, people would gather around the railway to see the snakes being fed, and my brothers would walk around the group, taking from purses or bags or using a razor to cut pockets and take wallets.”

“When I became a teen, I ran into a friend at a magic shop who took me under his wing. I started reading up on magical theory and immediately blended that with what my brothers had shown me.”

“I'm a jazz performer - I have to improvise with what I'm given.”

“Usually I'll tell someone, for example, like their watch. If they have a watch on, I might say, 'In three minutes, I'd like to be wearing your watch. Do I have your permission?' Once they say yes, I play a little game with them as I'm interacting with them, and I steal their watch.”

“Our absolutes should always be hypothesis. They should never be confirmed as fact because everything that we construct through our perceptions, through our memories, is so corruptible. The skills that I have can really display that.”

“When we think of misdirection, we think of something as looking off to the side when, actually, the things right in front of us are often the hardest to see: the things that you look at every day that you're blinded to.”

“When you look at all this massive data that comes in from our senses, and it all has to come in through this central point, it's really interesting that we can identify the filter that our mind is using to select what it thinks is relevant and what it's going to forget.”

“If I need to steal from a difficult spot, I like to use a 'bottom-up' attention strategy to direct the focus.”

“If you could control somebody's attention, what would you do with it?”

“The mechanisms inside me tick like a criminal. My mind works like theirs, and criminals can smell it when they're around me - but I choose not to use it in a bad way. I just choose to do good things.”