Anna Smaill

“This is the story I am working on. But it isn't complete as I don't have the right way to begin. I sit on the crosshouse floor and look at the objects. I see different ways they could be put together and the way the story changes over time. The objects fall into their groupings and they talk to each other in different fashions depending on where they're put and at first it makes me panic. I put the memories together again and again in their different patterns and try to understand which is the correct way. Then at last I see that there isn't one. I see that if I am lucky and do it right, the story will not ever come together in one final meaning. Because there is not yet any end.”

“When the music comes, you try to see it shining between your eyes. Like threads stretched taut and the notes as colored beads threaded on. When you get very good, it's as if you can see inside the music, through it. You bring the music alive, bring it into being. As if you're the one composing.”

“But some memories are more important than others,' she says. 'Because some memories belong to more than just one other person...Some memories tell us about who we are. They need to be kept safe so that things can change for all of us”

“When you don't grasp something or remember something, I think your mind at last says, "Okay," and part of it accepts this. In the end your mind gets to welcome that deadening. that's what I believe anyway. Half of our memoryloss is by choice.”