Adrienne Rich

“We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separation.", The Nation, October 7, 1996)”

“Poetry is, among other things, a criticism of language.”

“In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and our children.”

“Was it worth while to lay— with infinite exertion—a roof I can't live under? —All those blueprints, closings of gaps,measurings, calculations? A life I didn't choose chose me: even my tools are the wrong ones for what I have to do. I'm naked, ignorant, a naked man fleeing across the roofs who could with a shade of difference be sitting in the lamplight against the cream wallpaper reading—not with indifference—about a naked man fleeing across the roofs.”

“No one has imagined us. We want to live like trees,sycamores blazing through the sulfuric air,dappled with scars, still exuberantly budding,our animal passion rooted in the city.”

“The I you know isn’t me, you said, truthtelling liarMy roots are not my chainsAnd I to you:   Whose hands have grownthrough mine?   Owl-voiced I cried then:   Who?But yours was the one, the only eye assumedDid we turn each other into liars?holding hands with each others’ chains?”

“'Storm Warnings' is a poem about powerlessness - about a force so much greater than our human powers that while it can be measured and even predicted, it is beyond human control. All 'we' can do is create an interior space against the storm, an enclave of self-protection, though the winds of change till penetrate keyholes and 'unsealed apertures.'”

“Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.”

“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”

“No one’s fated or doomed to love anyone.The accidents happen, we’re not heroines,they happen in our lives like car crashes,books that change us, neighborhoodswe move into and come to love.Tristan and Isolde is scarcely the story,women at least should know the differencebetween love and death. No poison cup,no penance. Merely a notion that the tape-recordershould have caught some ghost of us: that tape-recordernot merely played but should have listened to us,and could instruct those after us:this we were, this is how we tried to love,and these are the forces they had ranged against us,and these are the forces we had ranged within us,within us and against us, against us and within us.”

“When I talk of taking a trip I mean forever.”

“Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.”

“In a world where language and naming are power, silence is oppression, is violence.”

“The mind's passion is all for singling out. Obscurity has another tale to tell.”

“The effect of male-identification means ‘internalizing the values of the colonizer and actively participating in carrying out the colonization of one’s self and one’s sex… Male identification is the act whereby women place men above women, including themselves, in credibility, status, and importance in most situations, regardless of the comparative quality the women may bring to the situation…. Interaction with women is seen as a lesser form of relating on every level.”

“But it is the subjects, the conversations, the facts we shy away from, which claim us in the form of writer's block, as mere rhetoric, as hysteria, insomnia, and constriction of the throat.”

“Tongue on your words to taste you thereCouldn’t   read what youhad never written therePlayed your message overfeeling badPlayed your message over it was all I hadTo tell me what and whereforethis is what it said:I’m tired of you asking me whyI’m tired of words like the chatter of birdsGive me a pass, let me just get by”

“Poetry can't give us the laws and institutions and representatives, the antidotes we need: only public activism by massive numbers of citizens can do that.”

“Feminism means finally that we renounce our obedience to the fathers and recognise that the world they have described is not the whole world. Masculine ideologies are the creation of masculine subjectivity; they are neither objective, nor value-free, nor inclusively "human." Feminism implies that we recognise for us, the distortion, of male-created ideologies, and that we proceed to think, and act, out of that recognition.”

“Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants, the marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.”