A biography for A. S. Byatthasn’t been written yet.
“I don't understand why, in my work, writing is always so dangerous. It's very destructive. People who write books are destroyers.”
“I'm more interested in books than people, and I always expect everybody else to be, but they're not.”
“I hated being a novelist when I was 20 - I had nothing to write about.”
“I don't like gurus. I don't like people who ask you to follow or believe. I like people who ask you to think independently.”
“The true exercise of freedom is - cannily and wisely and with grace - to move inside what space confines - and not seek to know what lies beyond and cannot be touched or tasted.”
“Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.”
“We talk about feelings. And about sex. And about bodies, and their gratification, violation, repair, decoration, deferred, maybe permanently deferred, mortality. Feelings are a bodily thing, and respecting them is called, is, kindness.”
“For a long time, I felt instinctively irritated - sometimes repelled - by scientific friends' automatic use of the word 'mechanism' for automatic bodily processes. A machine was man-made; it was not a sentient being; a man was not a machine.”
“My professional and human obsession is the nature of language, and my best relationships are with other writers. In many ways, I know George Eliot better than I know my husband.”
“I find the attempt to find things out, which scientists are possessed by, to be as human as breathing, or feeding, or sex. And so the science has to be in the novels as science and not just as metaphors.”
“As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.”
“What I need to write well is a combination of heat, light and solitude.”
“I watch a lot of sport on television. I only watch certain sports, and I only watch them live - I don't think I've ever been able to watch a replay of a match or game of which the result was already decided. I feel bound to cheat and look up what can be looked up.”
“You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.”
“There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.”
“I think there are a lot more important things than art in the world. But not to me.”
“It's a terrible poison, writing.”
“I am suspicious of writers who go looking for issues to address. Writers are neither preachers nor journalists. Journalists know much more than most writers about what's going on in the world. And if you want to change things, you do journalism.”
“I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.”
“I know that part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful.”